AUSTA VIC – String Orchestra Festival 2018
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Find the Emotional Connection
As the school year draws to a close, daily routines, tests, and rehearsals for upcoming concerts will no doubt take up the majority of our time and thoughts. It’s easy to get caught up in the minutiae of everything, so I’d like to present a few thoughts on finding the emotional connection with music—and remembering why we love what we do. Look at the big picture. It may seem silly, but we do need to remind ourselves to breathe and relax from time to time. Why do we play and listen to music in the first place? I’ve heard music…
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How to Maximise Resonance of Tone with Minimum Effort – Frances Gall
At the recent AUSTA National Conference, I had the pleasure of sharing a presentation that explored the many insights I’ve gathered over the years on the art and technique of bowing. Throughout my journey as a violinist and violist, I’ve been fortunate to learn from inspiring mentors such as Kato Havas, Shinichi Suzuki, Fintan Murphy, Janet Mason—who first introduced me to Louis Kievman’s Playing the Viola Physically and Mentally—and Lois Shepheard. Each of these teachers has contributed to the way I understand and approach the bow. One working title I considered for the session was The Heavy Weightless Bow, which…
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Empowered Note Reading – Angela Harman
If you haven’t yet discovered the brilliance of Angela Harman’s work, you’re in for a treat. Angela is widely known for her innovative, classroom-tested strategies that make string teaching more engaging, effective, and joyful. In today’s post, she dives into one of the most vital—and sometimes overlooked—skills for young musicians: note reading. With her signature blend of practicality and creativity, Angela shares a treasure trove of tools and approaches that empower students to read music with confidence and curiosity. Empowered Note Reading by Angela Harman (www.orchestraclassroom.com) As my beginning students practice reading music, I scan the room, looking at their…